Get to know Franklin Livingston and some of his American actor philosophy: I had the pleasure of interviewing Franklin Livingston of LPI Films®, Bambi Films Inc., and Listening Eyes Theater Company. His productions typically showcase people of color as the classic heroic roles and all the stories developed are based on true events. Mr. Livingston believes in empowering the characters generally known as ethnic minorities because they are the backbone to the functionality of the U.S. as a community. However, standard theater and film still continues to portray Caucasian men and women in the dominant roles. Read extra details on Franklin Livingston New York.
Where does Franklin Livingston’s possibility personality come in? It is after a long unfruitful wait that Franklin has decided enough is enough! Franklin is now producing content intending to provide grass-root level casts and crew members opportunities to work making films. In the past five years or so, through his Theatre and Film production companies in New York and Los Angeles, Franklin has shown hope in the Hollywood industry by giving out jobs and chances to thousands of upcoming American actors and crew members in major cities to showcase their work to the global audience.
Franklin has always been in love with cinema and has been making films since the age of 16. He has evolved as technology and style have progressed over the years, and he deeply enjoys the craft in every aspect. Despite excruciating long hours of creative thinking, planning, and executing, and typically being the first to and the last person to walk out of the film sets after sleepless nights, Franklin Livingston never falls out of love with expressing human emotion and capturing stories that need to be told. He believes that a good story must constantly be educating, entertaining and engaging. And that’s what he aims for in his productions.
Like someone that will put the needed effort in and behave like an actor both in the audition room and on the film set. Small acts of respect like turning the phone off before entering the audition room used to be a big indication of that, which is now lost in the “zoom room”. Then there is the emotional connection that you simply cannot make with your scene partner over zoom. So when we show up on set, it can produce some very dysfunctional results. Sometimes you will have very underprepared or undertrained actors that think all they need to do is recite their lines perfectly, but they have completely forgotten how to make that emotional, mental, physical, or spiritual connection with their scene partner(s) and get on moment-to-moment work to re-create a scene on set that they read on a piece of paper.
Especially in our current time — I believe that the utmost importance should be placed on awareness and empathy. My travels, experiences, and interactions have shown me that mainstream American Media and Art are just not illustrating the true human social condition and political climate we have been facing. The teams working with my companies are producing relentlessly to eliminate that void and fill it with compassion, enlightenment, and masterful storytelling.
I am a trained actor, filmmaker, and producer. I received extensive training from Atlantic Acting School, Moscow Art Theatre, New York Film Academy, and the Meisner Studio of Tisch School of the Arts at New York University. I received training in filmmaking and directing from New York University, and Yale University. I also trained at Guildhall School of Music and Drama, London. I prefer the more serious, dramatic roles that push and challenge my abilities. Please tell us how you make sure people will be fans of your work? I not only work very hard at everything I do, but I am a very genuine person. People often equate acting with pretending, but it is so much deeper than that. When I am acting, I am portraying a character that I have taken a very long time to get to know. You find a way to connect with the role you are playing so that there is personal truth in there too and when you get very good at doing this, your audience won’t be able to tell where you have blurred the line. It will feel very sincere instead, which is what viewers appreciate and deserve.
What are some of the most interesting or exciting projects you are working on now? I have so many projects in the works right now, but my current favorite in post-production is “Down-Range” in which I played a U.S. Army major. There are a lot of officers in the U.S. military of Middle Eastern descent. However, in Hollywood movies and American TV shows all war heroes tend to be portrayed as Caucasian and the villains are people of color. I am shocked that even in our current time, TV has kept this tradition by producing a popular series “Jack Ryan” in which this outdated stigma is perpetuated.
Taking possibilities to the next level: Recent updates on Franklin reveal that he started another company in the state of Connecticut, Oculus Films LLC. The company will also serve as an academy that empathizes with the aspiring actors’ busy schedules. Oculus is a unique acting technique that Franklin has developed. Unlike other training techniques that make American actors feel drained, exhausted, depressed, and in some cases become mentally ill, Oculus Acting Technique makes actors enjoy their presence with other actors and crew members. It also helps the actors create content in the moment in the light of the screenwriter’s content, develop a sincere connection with community members and leave the set happy, rejuvenated, and relaxed having a sense of being heard, respected, and encouraged.
