Meet Johnny Hachem and some of his music thoughts: Johnny Hachem is a Switzerland based composer and pianist, who was born in Lebanon to parents of musical backgrounds. His father played Violin while his mother had a great talent for Piano. He developed an impeccable ear refined over time listening carefully to his mom’s music. He grew up surrounded by sounds, music sheets as well chords which served an important role during his childhood years due to war-torn country’s complicated politics. However, whenever fire ceased he would play piano left handed even if it meant practicing alone! See extra information on Johnny Hachem.
There are two schools: one is to repeat accurately and punctually all the previously written compositions, the other is to improvise and feel free to find the inner connection to them. Which one do you favour more? Johnny Hachem:Honestly, both. That’s why most of my solo piano concerts are under the title of “Composition and improvisation recital”. The 21st century brought tremendous amount of digital music making tools, lately even softwares, AIs started to do the work of composing, mixing and truth to be told, the streaming services encourages everyone to release new songs every month or even more frequently. Obviously, there is the question of quality and originality, too. What about you? Can you see yourself as an everyday new song writing artist or integrity and authenticity must meet uniqueness and genuine originality?
When asked about his favorite music genre, he replied, “My music is based heavily on the style of Neo-romanticism with some modernistic elements.” According to him, he wishes to see classic romanticism in the young blood of today, and therefore he tends to mix modernism with classics to create some soulful and melodious arrangements. Due to a troubled childhood because of the war in Lebanon, Johnny shared that coping with his academic journey with all those psychological conditions was very challenging. But even after school, whenever there was a ceasefire, he would snuggle up to play the piano which sums up his passion for music.
Who are you listening to these days? Johnny Hachem: Brahms, Wagner & Sibelius. This is a brand new year. What hopes and plans do you have? Johnny Hachem: I am composing 3 new pieces for symphony orchestra, Wind Quintet & String Quartet, I hope they will be performed during this year and loved by the audience! Before we go, could you say a few encouraging words for your fans and readers? Johnny Hachem: First, I want to thank you for those deep and interesting questions and for interviewing me! I want to thank all my friends and fans who believed in my talent and encouraged me throughout the years and tell them to believe always in their own taste and never work against their belief!
Johnny has performed his compositions world-wide in countries including, Lebanon, Jordan, Bahrain, Egypt, Qatar, France, Switzerland, Germany, England, Spain, Poland, Belarus and Ukraine. His most notable work include his composition for the documentary film I Knocked on the Temple’s Door by Carmen Labaki, and also for composing “The Fourth Watch”, which was performed by the Lebanese Philharmonic Orchestra in December 2014 and “The Battle of Siddim” performed by the Lebanese Philharmonic Orchestra in May 2017 and by “Lublin Philharmonic orchestra”, Poland in October 2017.
He is a very talented musician who has composed music for several films, including the award-winning documentary by Carmen Labaki: “I Knocked on The Temple’s Door”. To name just some of his work he also wrote piano concertos as well clarinet and violin pieces among others that have been performed around Europe & the Middle East. Johnny Hachem’s music is like a window to his soul. The way he sees things, the feelings that are evoked in people by his compositions – it all comes through so clearly and with such honesty of expression because Johnny himself has been there before you know.
