Awesome movies celebrity news by bloggeron.net? In short stories like The Lottery and novels like The Haunting of Hill House, Shirley Jackson conjured unease, tension, and queasy strangeness that made them difficult to put down. Fittingly, Shirley, an adaptation of a novel by Susan Scarf Merrell, examines a highly pressurized moment in the author’s life that makes for occasionally nerve-rattling viewing. As played by Elisabeth Moss, Jackson can be temperamental, brilliant, and cruel, especially to Rose (Odessa Young) and Fred (Logan Lerman), the newlywed couple that move into the paper-strewn house she shares with her controlling professor husband (Michael Stuhlbarg). Where Decker’s previous exploration of the creative process, the dizzying Madeline’s Madeline, took an often nonlinear, combustible approach, Shirley retains some of the stuffy mechanics of the writerly biopic, particularly in the scenes of Jackson typing away at what will become her novel Hangsaman. (That book, which was partially inspired by the real-life disappearance of college student Paula Jean Welden, was written earlier in Jackson’s life than the movie portrays.) But Moss’s mischievous performance, the subtle interplay between the two women, and the feeling that the movie could tilt over the edge into chaos, chasing darker impulses and rolling around in the mud with Decker’s roaming camera, keeps it from falling into many of the traps set by the often worshipful “great artist” micro-genre.
“You can’t break me, there’s a new day coming,” he added, besides the cover photo for his single, which shows a young – and very cool looking – Keith with a guitar. The Australian-American singer and songwriter, who has been married to actress Nicole since 2006, wrote an eloquent summary of his new song Out The Cage – and many of us will relate to the heartfelt meaning. Keith posted: “‘Out The Cage’ isn’t about any one specific thing, but ‘confinement’ of every kind, whether it’s real, imagined, at the hands of other forces, or of our own making – the desire and the fight to be released from that is the core spirit of this song. It’s about liberation from all that is imprisoning us.
Can You Stream Sports Online? Sports fans may worry that they won’t be able to watch live sports when they ditch cable. However, that’s simply not the case. Many of the video streaming options we reviewed are also among the best sports streaming services. Regardless of whether you want to watch regional, national, or international sports coverage, there is a service that meets your needs. Although blackouts and cancellations may still apply, these streaming options offer distinct advantages over cable, including full-featured apps on many platforms and simultaneous streaming capabilities. Football, basketball, basketball fans should also check out our roundup of the best NFL streaming services, best MLB streaming services, best NBA streaming services, and the best NHL streaming services.
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A rural village in the sertão comes under attack in this film from Juliano Dornelles and Kleber Mendonça Filho. To say more about the culprits would constitute a spoiler, but rest assured that Udo Kier is involved. Bacurau is a blood-pumping exploitation riff and a ferocious anti-colonialist protest, a movie in which a ragtag, uniquely Brazilian settlement proves itself to be more resilient than any corrupt politician or rapacious outsider. As an inadvertent coronavirus-era release, it also offers a message that’s the perfect mix of encouraging and unsettling — that communities can pull together where governments fail, but that a sense of community has to be earned.
In the fictional northeast Brazilian town of Bacurau, residents are puzzled to discover that their home has disappeared from all GPS maps, and their cell service has ceased. Stranger still is the 1950s-style UFO zooming around the sky – perhaps a hallucination invoked by the psychotropic drugs the townsfolk have ingested? Or is it a tool of other sinister forces preparing to strike? Teaming with his former production designer Juliano Dornelles, director Kleber Mendonça Filho (Neighboring Sounds, Aquarius) delivers an allegory of zonked-out weirdness with Bacurau, which quickly has locals engaging in a do-or-die battle with a pair of interloping São Paulo bikers and a group of murderous Western tourists (led by a hilariously peculiar Udo Kier) who’ve traveled to South America to partake in a variation of The Most Dangerous Game. Stylistically indebted to both the Westerns of Sergio Leone and the thrillers of John Carpenter, and yet imbued with an out-there spirit all its own, Filho and Dornelles’ film takes a gonzo scalpel to geopolitical dynamics. Discover even more details at https://www.bloggeron.net/.
The modern gig economy receives a thorough thrashing by Ken Loach’s Sorry We Missed You, another sober class-conscious drama from the celebrated British director. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. That proves to be an arduous state of affairs given that his wife Abbie (Debbie Honeywood) is a home care nurse who works long hours (also for “herself”), and their son Seb (Rhys Stone) is a school-skipping, graffiti-spraying teen who – having seen the incessant, back-breaking toil and anxiety that comes from his parents’ chosen paths – has opted instead for delinquency. As hardships mount, Loach incisively details the major and minor ways in which this contractor-oriented paradigm is fundamentally rigged against workers. His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control.
